Waiting For Godot, Act VII




[Enter Estragon, stage right, cautiously. Enter Vladimir, stage left, bemused. Both look at tree at center stage, then they look at audience. The action is synchronized. Both have looks as if to say, "oh, this again." They look at each other, as if sizing each other up. Estragon scratches his head ponderously. Vladimir opens his mouth slowly , then shuts it quickly, opens it quickly, shuts it slowly. Nods as if making a discovery.]

Didi: [studied] Hmmmm. Slow is certainly slower. That will never alter. [smiles uncertainly]

Gogo: Pardon? [scratches his head vigorously]

Didi: Slow is probably slower.

Gogo: Than what?

Didi: What then?

Gogo: What than?

Didi: Oh! We are having a conversation! [they move closer to one another, about ten feet apart] Why, less slow, of course. That's how it works.

Gogo: It works?

Didi: Yes. It must.

Gogo: [takes a step closer to Didi, tilts his head to the right, then to the left] If it works,that is, if it is supposed to be this way, I feel--

Didi: [excited] You feel? [scheming, aside:] And he didn't even have to hang himself.

Gogo: [confessing] I had no rope. [Looks at arms. Holds them up for inspection, bends them in several ways, lets them drop limply.] And these won't bend the right way. I feel--[looking for the right words]

Didi: A landmark achievement. What has it done for you?

Gogo: --Stupid.

Didi: [mimicking Gogo] It has done for you stupid. [sarcastic] That adds clarity.

Gogo: [gesturing with his hands,extending them far from his body on either side] No. That is how I feel.

Didi: With your hands out like this? [holds his arms in a like proximity to his own body] I suppose that works to feel if what you want to feel is out here [gestures out with his hands again] But what if what you want to perceive is right in front of you? [suddenly surprised] Estragon? Gogo!

Gogo: Vladimir? Didi! [They run together and hug. They dance in a circle. They break apart and back away rapidly.]

Gogo: [ventures] I love you.

Didi: And I [blushes] like you. [Both sigh contentedly]

Didi: I suppose that added excitement.

Gogo: [Nods in agreement] Anyway, it passed the time.

Didi: How do you mean?

Gogo: We both felt. Did we not?

Didi: What? Stupid?

Gogo: [macho] Are you calling me stupid?

Didi: No. We both felt stupid. I mean, a sense of contentedness with being together.

Gogo: [holds out arms] Yes, but my arms. Still won't do.

Didi: [looks at tree] Safe to say we both felt. And without even having to hang ourselves. I suppose that makes a difference.

Gogo: Why [observes tree] would we have to do that?

Didi: Why, to feel of course. [amused at his own words] Why to feel? Of course! To why feel. Course of. [concludes] Semantics is tricky business.

Gogo: [looks at arms] Ohhh! [recognition. loss of habituation]

Didi: Yes. Of course. [smug grin]

Gogo: They are [swings arms] my arms.

Didi: But it scarcely matters. What matter is--

Gogo: [excited] Is?

Didi: is--

Gogo: [unrestrained. jumping up and down] IS!?

Didi: [notices an axe protruding from the tree] Oh, that is a difference in things.

Gogo: [affected. sagely] What matters is a difference in things. [savors the thought]

Didi: More excitement!

Gogo: [Looks around] It is, I suppose, a very small difference. Yes. Subtle.

Didi: And that is what matters.

Gogo: No, not in things.

Didi: Oh [obtusely], you mean now. [smiles knowingly]

Gogo: [accomplished] Yes, not in things.

Didi: It is, I suppose, an extraordinarily subtle difference.

Gogo: I wouldn't know. I feel stupid.

Didi: [angry] Not that again. [spits] Nothing to be done. [in retrospect] At least, not yet. Soon we will get our just desserts. [looks at Gogo] Merde! They beat you again!

Gogo: [nurses imaginary wounds] It isn't so bad. Besides, there were no--

Didi: Latent homosexual tendencies involved?

Gogo: Yes.

Didi: There were?

Gogo: No, that is not what I meant.

Didi: Mint?

Gogo: No, meant. Yes, there were no latent homosexual tendencies involved. It was just a standard beating. Nothing got accomplished. No, there weren't. Yes, there weren't. No and yes sometimes mean the same thing.

Didi: I see.

Gogo: What? A sea?

Didi: No, where? [confused] You see a sea? My eyes are no good.

Gogo: [meekly] Behind the tree?

Didi: Now I have seen everything. How I have wanted always to see the sea. [romanticizes] We could be in love there.

Gogo: I wouldn't feel comfortable.

Didi: Well then, neither would I. [folds arms and places his back to Gogo]

Gogo: Nobody loves me. [pouts, kicks at the ground]

Didi: [pouts] I'm sorry. [hugs Gogo, shocked, jumps back] They beat you!

Gogo: [frantic, looks around] Who?

Didi: They!

Gogo: Still are. [nods assuredly]

Didi: Here. [leads Gogo to the tree] We'll see the sea. [they look behind the tree. After a moment of viewing:] Uh-huh.

Gogo: [studies] Yup.

Didi: I'm enriched.

Gogo: I too.

Didi: However, not wise to leave.

Gogo: You're right. Going there would make it much less significant.
[Suddenly, both characters realize that they have their backs to the audience. They turn again to face the audience and walk upstage]

Didi: Exactly.

Gogo: And what else.

Didi: Why does there have to be more? [gestures to the audience] Isn't this enough?

Gogo: One would think. Still. It never is.

Didi: But what would happen if we watched with them?

[Estragon and Didi walk out to the audience and look up at the stage]

Gogo: That about says it all.

Didi: You said it. [Pauses.] We shouldn't be here.

Gogo: Why not?

Didi: If we leave... [looks back at the audience]

Gogo: If we leave?

Didi: A location change will only remain interesting for a while and then when that wears off [he begins to drone] we'll just be the same people again in a location that has again grown boring and then there will be feelings of inadequacy and because of that we'll--

Gogo: So you are saying?

Didi: Some people watch and some people live. Some people just go through the motions.

Gogo: [Remembering] OH! We have to go back there. [beckons to the stage]. We'll miss Godot. He will be here soon.

Didi: Here?

Gogo: No! There. [gestures to the stage] I think--

Didi: Don't think, thinking hurts. [Didi and Gogo walk back on stage. Assume positions front center]

Gogo: Godot, when he gets here, will be of the utmost importance. [retrieves an orange from his pocket and bites into it]

Didi: And important subtle differences in things make a difference.

Gogo: I'll wait. I can't stand being alone.

Didi: [startled] Oh! Would you like me to leave so you can be alone with Godot when he arrives?

Gogo: And where go?

Didi: [speculates] Perhaps Gondwanaland.

Gogo: Could I [meekly] go?

Didi: Aha! So you would like me to leave! Very well. [walks in circles around stage]

Gogo: [walks in zig zags across stage. he whistles a happy tune. They bump into each other momentarily]

Didi: Fancy meeting you here.

Gogo: [looks at sky] Charming weather.

Didi: Indeed, chipper. [studies the ground]

Gogo: [looks lost] Is that all there is then? I have not accomplished the things I thought I would have accomplished.

Didi: [looks at the ground] Nothing to be done.

Gogo: It is almost over. [grieves] I always hate the ending. Will you sometimes be what you are not so that I will become what I was so then we can be what we are again?

Didi: [lies down] None of this means anything to me.

Gogo: [lies down] Maybe it isn't supposed to. [moments pass]

Didi: I [pauses] do [pauses] love [pauses] you. [moments pass]

Gogo: Thank [pauses] you.

[Night falls.]


Copyright © 1997 Marcus Todd Heldt





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